Detouring, from biography, into Archetypal Psychology in pursuit of soul-making for all genders
Navigating the swirling waters of gender politics, including definitions and vocabulary, human rights, support groups and public opinion, not to mention various organizational, cultural, ethnic and national aspects, requires more than an advanced swimming skill, a ready helmet, a fully developed muscularity, as well as basic senses, acuity, a full possession of one’s own basis for even considering the questions and a processing method that does no harm, while helping to elucidate new insights. In the midst of these turbulent waters, one encounters words, perspectives and attitudes that bring one up short.
This piece, while deterring from the biographical
briefly, is an attempt to find a path between some of the more recent data-word-image
sign posts that have emerged while on this path of discoveMeeting a male
individual who echoes the distaste and discomfort with Carl Jung’s work for the
reason that “Jung has an interest in something called a divinity”, is just one
of these ‘litmus tests’ that many universities in North America have failed.
Both a divinity and an unconscious, as part of the metaphysic of this profound
and generous and complex thinker, and the concomitant ethereal perspective that
literally and imaginatively escapes the rational, empirical, experimental,
scientific model of formal academic research, however, is not sufficient reason
for his studies to be marginalized. History has perpetually, inevitably and
immutably cast aside all thought, theory and perspectives, as well as the
attitudes and the methods inherent in the ‘untenable’ and the “politically
incorrect” and the “intellectually challenging”. From the beginning of recorded
history, humans (mostly) male writers and thinkers have ascribed to the gods and
goddesses those aspects of the universe over which they had no control, no full
comprehension, and not a full appreciation. The whole notion of the history of
mythology linked intimately to the cultural imagination, defying one specific
academic discipline, for example, is more of an indictment of the traditions of
the academic perfectionists than it is of the scholarship implicit in its
study, and also in the application of such theories to the study of psychology,
as a formal academic discipline.
Falling into the trap of the empiricists, the number
crunchers, the diagnosticians and the prescriptive model of medicine, and then galloped
at break-neck speed to justify itself with its own DSM and the pharmaceuticals
of remediation, along with interventions
of various kinds and theories, to “make people whole” and psychologically healthy, begs both
scepticism and empirical review as to the ‘success’ the current psychological
model has attained. Not incidentally, too, the open and free study of Jung,
Freud, Perls, Rogers, Adler, Maslow et al, opens the potential for rigorous and
critical evaluation both of the strengths of each and the vulnerabilities of
each, both in isolation and in comparison. Put James Hillman in that list as
well, one who studied and practiced as a Jungian depth therapist, and then
evolved into what he terms ‘archetypal psychology’, the ‘making of soul’ as
Hillman puts it.
Embracing not merely the full exploration of the
biography of individuals, not in search for abnormal and strict adherence to
those definitions that assign abnormalities to one of two buckets: medical (because
the individual is sick) or legal (because the individual is criminal), it seems
to this untutored pilgrim that archetypal psychology portends a different way
of coming face to face with human eccentricities, without first ascribing and
assigning either the medical or legal templates.
The human imagination, in the form of images that continue
to run in and through our conscious and unconscious, flooding each and every
minute and situation, as a dynamic in which we all involuntarily and yet inescapably
swim, opens the pathway to both an internal and intrinsic perception of one’s
soul, from the perspective of the imagination. It also offers the potential of
multiple links to those same gods and goddesses, myths and archetypes that have
populated our lives forever, it would seem. Medical and legal definitions, by
their very nature, are confining to a single or a series of symptoms, and then
a class of those symptoms that beg and demand comparison with the appearance of
similar symptoms from other individuals in other times. They reduce the universe
that we consider from our ‘senses’ to only those symptoms and features that we
feel comfortable in acknowledging, with some professional care-or
counsel-giver. And, while there are instances in human existence, both individually
and collectively, when such fine-tuned attention (psychopaths, sociopaths, sex
offender, for instance) seems not merely necessary but serving the interests and
safety and security of the community.
It is in the area of eccentricities, those ‘unfamiliar’
instincts that drive each of us, that archetypal psychology could (and we
postulate, do,) provide different and useful and far more supportive and inspiring
clues to what is, has been, and will be going on in our psyche. Looking at individual
lives after their close in death, for example, discloses patterns that are
instructive in terms of getting to know who such people were for the purpose of
providing a way of seeing for our own lives, looked at backwards. Speculative,
curious, indeterminate, somewhat inconclusive and certainly drawing in and evoking
more exploration, regardless of which images we might discern, just the
ambiguity itself is attractive not only to the imagination but to the culture
obsessed with absolutes, correctness, perfection and the sterility of the
dominance of those pursuits. Portending naturally towards androgyny, archetypal
psychology is both a liberating potential for both men and women. Constricting
our models of masculinity and femininity to those positive “ideals” or ‘heroes,’ or “kings” or “queens”
in a cardboard reduction of each of those images, defies the fulsome range of
those images that are scampering in and through our psyches throughout our
lives.
We are more complex that those self-imposed simplistic,
reductionistic magnetic role models; we each can ‘see’ (imagine) ourselves, for
example, as not merely taking issue with another, but having a full-fledged
duel, or a devious, deceitful sabotage of an enemy, in our imaginations, just
as our ancestors themselves engaged in, in their imaginative lives. Often, too,
without our fully grasping how, such fantasies birth into our active conscious
lives, having slipped the bonds of dreams and fantasies.
It is those
very dreams and fantasies that archetypal psychology seeks to mine, to explore and
to supplement our emotional and cognitive and imaginative comprehension of our
whole person. As one who grew instincts that, like radar, “smelled” the atmosphere
in our home, with a view to determining the relative safety, calmness,
kindness, and acceptance, like the knight errant in literature, I tend to deploy
that perspective, attitude and absorption of the details in my surroundings
instinctively, rather than merely cognitively, or merely emotionally, and certainly
not only through the senses. Intuition, without my taking classes in it, or
being formally coached in its capacities and risks, or even being conscious
that it was intuition that I was using to protect myself, has been my ‘lens’.
Also like the knight errant, impelled by curiosity, drive to explore, I have been
something of a vagabond, without a permanent home for many of my mid-life years.
With this perspective/lens/soul, I also find absolutes
restrictive, confining and deadening. Interested in ‘going inside’ to foreclose
on a compulsive and driven effort to ‘prove myself,’ I withdrew from the
corporate, public and ‘such models of North American culture. Looking from
inside, I could reconnect with fantasies of the writer, the explorer, the
adventurer and the shit-disturber, without actually having to engage in the
many real risks and dangers if one were to enter into those various vocations
physically. Some will undoubtedly consider the archetypal perspective to be
ephemeral, fatuous even, and certainly impractical. It does not ‘solve’ any
crisis; in fact, in the process of pursuing its requisite questions, often one
is led into even more uncertainty, ambiguity and more fanciful dreams and images.
Of course, the literary, imaginative and the ideational lens, is not proposed
as a full solution; it serves rather as a way of seeing differently from the
dominant, (some would say, colonial) model of treating both the self and the
other.
And while discussions of various archetypes, images,
fantasies and dreams is also enriching for those fortunate enough to find
collaborative perspectives in others, no suggestion, or diagnosis or
prescription of any kind is either expected or implied in the process from one
to another. The imaginative universe, by definition, escapes the “pinning-to-the-board”
of the symptoms, as if they were an anaesthetized insect, for the purpose of
dissection. Rather, it takes a position, even on such common subjects and vocabularies
as “emotions” that is slightly more detached, curious, exploring and
suggestive. Seeing emotions as momentary, perhaps inflammatory, phosphorescent,
and thereby not conclusive of any specific symptom, but rather a brief and useful
expression of something that comes naturally, and passes as quickly as it
arrives. It is the residue that lingers, and the patterns of those residues
helps in the imaginative ‘dig’ for the images that are ‘in charge.
There is a relevant and potent vulnerability, from the
archetypal psychology perspective. Through its lens, we are unable to dominant either
our description and definition of an experience, or a final mapping of our
lives. There is a shadowy, ethereal, and mercurial aspect to the images dancing
in our imaginations, and they are all linked, if we are to taste this approach,
with our own death.
And as such, there is an inescapable resistance to all
forms of denial, of death, certainly, and also of many other ways by and in
which we succumb to the demands of a public culture that ‘sees’ us as things,
to be manipulated, deployed, and also dismissed when no longer effective or
useful.
The pursuit and the discovery of ‘soul’ rather than
the driving and cool ‘spirit’ (to borrow from Hillman) is also a more resonant,
more complex and more realistic, even though paradoxical, coming as it does
attempt to do, from the imaginative, the images and the eccentricities and the
instincts.
“Something” inside told Ella Fitzgerald, appearing at
the Apollo Theatre in Harlem in a talent contest as a dancer, to change her
mind and tell her audience she was about to sing. Something inside Yehudi
Menhuin, at four, after attending a symphony concert, that he wanted ‘one of
those’ violins, and when his parents gave him an aluminium instrument, he
stamped on it, demanding a ‘real violin. These somethings inside, these voices,
Hillman terms the daimon, the angel that resides somehow, somewhere in our
psyche, that, while not determining our specific vocation or professional
career, nevertheless, serves as an influential factor in ‘how’ we go about
living our lives.
And both men and women, regardless of where they might
find themselves on the continuum of ‘radical’ or modest gender advocates, for
their own gender, can explore their own lives, through the mirror of memory,
fantasy, dream and images none of which are exclusively masculine or feminine,
nor can or do they deny the androgyny of each of us.
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